LABEL: seriE.WOC, Italy
LP / EWOC-LP007 (JAN: 4560312319123) SOLD OUT
CD / EWOC-CD007 (JAN: 4560312319253) SOLD OUT
ARTIST: Sahib Shihab
Originally released as: Sonet / Storyville（SLP1008, 1972 Denmark）
Sahib Shihab (ss, bs, alto-fl)
Kenny Drew (p)
Niels-Henning Ørsted Pedersen (b)
Jimmy Hopps (ds)
Recorded in Copenhagen, in March 1971 [P] 1972 STORYVILLE / DANSK GRAMMOFON
seriE.WOC thanks to:
Mona Granager from Storyville Records, Gerardo Frisina for archive advice.
A1. MA’NEE (S. Shihab)
A2. THE CALL (S. Shihab)
A3. RUE DE LA HARPE (S. Shihab)
B1. SENTIMENTS (S. Shihab)
B2. FROM ME TO YOU (S. Shihab)
B3. EXTASE (K. Drew)
B4. COMPANIONSHIP (S. Shihab – N.-H. Ø. Pedersen)
“One Very hot day in Tunis, while riding a bus on the way to Sfax, two Tunisians began to sing a melody to the accompaniment of a drum. The rhythm played by the drummer was fascinating. Not having a workable knowledge of the western metric system, he couldn’t tell me the time value, so I subdivided and came up with 14/8, or two time 7/4. As a result, MA’NEE: which is Urdu for meaning.
This piece is also my conception of the bus ride in Tunis.
The melody the Tunisians were singing was a folk melody, Bedouin in nature, combined with the rhythm of the drums, was soulfully Tunisian, but the melody you will hear is mine.
For another form of expression, the ad-lib choruses are played in 4/4, Soprano sax, Piano, Bass, in that order. The drums captured the idea of the bus ride remarkably well I thought.
– The Call:
A simple melody in 5/4, begins with a chant of eastern flavor.
After the ad-lib choruses, the rhythm developes into free-form. Concerning the soloist, Niels-Henning Ørsted Pedersen should take most of the bows.
The mood in free-form is interrupted by the chant, and the melody stated in the beginning, is heard again, then we fade.
– Rue de la Harpe:
This is a very small street in the Latin Quarter in Paris.
While working the Chat-que-Peche, a drummer asked me one night if he could sit in. I agreed, and he was a gas. His name, Jimmy Hopps. I found his drumming very inspiring. He was fresh, and full of fire. He also inspired me in the direction of this album. I hope we hear more of him.
An idea which we did not thoroughly pursue, combining Jazz & Beat, here we touched on the sound of organ and fender bass. The high point of the piece is the drumming of Jimmy Hopps. Versatile.
– For Me To You:
Here we introduce the sound of the Baritone sax. After the initial melody chorus, there is an ad-lib solo by the sax, followed by an ad-lib bass solo. Wonderful bass playing by Niels-Henning.
A beautiful ballad composed and written by Kenny Drew. The applause are his for his contribution, musically and personally. There is also very good back-up by N.-H. Ø. P. bass.
A collaboration between Alto flute, heard for the only time in this album, and the bass of Niels-Henning. Here we have also percussive bells, played by Kenny, and, of course, the drumming of Hopps.
After the mood of the piece is established, there is a conversation between flute and bass, following a vamp by the bass. There are moments of humming flute, after which there is a return to the main theme, and again we fade. I wish to thank personally, all those responsible for making this album possible, and my sincerest thanks to the wonderful musicians appearing fortwith.
My greatest wish is that you will have many moments of pleasure listening to this album, as we, the musicians, enjoyed making it.”